Sombreado

Sombrear suave

Referencia

Modo:

Modo Objeto

Menú:

Objeto ‣ Sombrear suave

La forma más fácil es establecer un objeto completo como suavizado o facetado seleccionando un objeto de malla y, en modo Objeto, seleccionar Sombrear suave dese el menú Objeto. Esto forzará la asignación del atributo de «suavizado» a cada cara de la malla, incluso cuando agregue o elimine geometría.

Observar cómo el contorno del objeto todavía se encuentra fuertemente facetado. Esto se debe a que la activación de la característica de suavizado en realidad no modifica la geometría real del objeto; sino que simplemente cambia la forma en que se calcula el sombreado de su superficie (interpolando las normales), para dar la ilusión de una superficie suave continua.

Select the Shade Flat item in the Object menu to revert the shading back (normals will be constant) to that shown in the first image below.

Example mesh flat (left) and smooth-shaded (right). Sample blend-file.
../../../_images/scene-layout_object_editing_shading_example-flat.png
../../../_images/scene-layout_object_editing_shading_example-smooth.png

Shade Auto Smooth

Referencia

Modo:

Modo Objeto

Menú:

Objeto ‣ Sombrear suave

Automatically applies smooth shading to faces with a defined shallow angle and all other faces are sharp. This method works great for objects with both sharp and smooth areas.

Selecting the Shade Flat will revert the shading back to flat; additionally, pressing Shade Smooth will disable all flat normals, making the entire object appear smooth again.

When this operator is used it enables the Auto Smooth property. See Advanced Smooth Shading & Sharp Edges for more details.

Sombrear facetado

Referencia

Modo:

Modo Objeto

Menú:

Objeto ‣ Sombrear Facetado

As seen in the previous sections, polygons are central to Blender. Most objects are represented by polygons and truly curved objects are often approximated by polygon meshes. When rendering images, you may notice that these polygons appear as a series of small, flat faces. Sometimes this is a desirable effect for hard surfaces, but for organic surfaces you usually want your objects to look smooth.