UV Operators

Referenz

Editor:

3D Viewport

Modus:

Edit Mode

Menü:

Header ‣ UV

Tastenkürzel:

U

Blender offers several ways of mapping UVs. The simpler projection methods use formulas that map 3D space onto 2D space, by interpolating the position of points toward a point/axis/plane through a surface. The more advanced methods can be used with more complex models, and have more specific uses.

Unwrap

Referenz

Editor:

3D Viewport and UV Editor

Modus:

Edit Mode

Menü:

UV ‣ Unwrap

Tastenkürzel:

U

Flattens the mesh surface by cutting along seams. Useful for organic shapes.

Begin by selecting all the faces you want to unwrap. In the 3D Viewport, select UV ‣ Unwrap or U and select Unwrap. You can also do this from the UV Editor with UV ‣ Unwrap or U. This method will unwrap all faces and reset previous work. The UVs menu will appear in the UV Editor after unwrapping has been performed once.

../../../_images/modeling_meshes_editing_uv_unwrap-example.png

Result of unwrapping Suzanne.

This operation unwraps the faces of the object to provide the „best fit“ scenario based on how the faces are connected and will fit within the image, and takes into account any seams within the selected faces. If possible, each selected face gets its own different area of the image and is not overlapping any other faces UVs. If all faces of an object are selected, then each face is mapped to a part of the image.

Tipp

A face’s UV image texture only has to use part of the image, not the whole image. Also, portions of the same image can be shared by multiple faces. A face can be mapped to less and less of the total image.

Options

The Adjust Last Operation panel allows fine control over how a mesh is unwrapped:

Method
Angle Based:

Uses Angle Based Flattening (ABF). This method gives a good 2D representation of a mesh.

Conformal:

Uses Least Squares Conformal Mapping (LSCM). This usually results in a less accurate UV mapping than Angle Based, but performs better on simpler objects.

Minimum Stretch:

Uses Scalable Locally Injective Mapping (SLIM). This tries to balance minimizing area distortion and minimizing angle distortion.

Fill Holes

Activating Fill Holes will prevent overlapping from occurring and better represent any holes in the UV regions.

Correct Aspect

Map UVs will take the image’s aspect ratio into consideration. If an image has already been mapped to the Texture Space that is non-square, the projection will take this into account and distort the mapping to appear correctly.

Use Subdivision Surface

Map UVs taking vertex position after Subdivision Surface Modifier into account.

Iterations

The Minimum Stretch method is iterative, where each iteration reduces the distortion more. This option says how many iterations to use before stopping.

Allow Flips

When using the Minimum Stretch method this option allows faces to flip, which sometimes results in less distortion when there are pins.

Importance Weights

The Minimize Stretch method has a feature that allows a user-specified vertex group to control the relative amount of area used by different parts of the unwrapped map. Vertices with higher weights will mark portions of the mesh whose adjacent UV map faces should be stretched larger than smaller-weight areas. When this option is chosen, there are two additional options to control this:

Attribute:

The name of the vertex group with the weights to be used.

Factor:

A global factor to multiply all the weights. A bigger number will result in a more exaggerated difference between high-weight and low-weight areas.

Margin Method

The method to use when calculating the empty space between islands.

Scaled:

Use scale of existing UVs to multiply margin.

Add:

Simple method, just add the margin.

Fraction:

Precisely specify the fraction of the UV unit square for margin. (Slower than other two methods.)

Margin

The scale for the empty space between islands.

Smart UV Project

Referenz

Editor:

3D Viewport

Modus:

Edit Mode

Menü:

UV ‣ Smart UV Project

Tastenkürzel:

U

Smart UV Project, cuts a mesh based on an angle threshold (angular changes in your mesh). This gives you fine control over how automatic seams are created. It is a good method for simple and complex geometric forms, such as mechanical objects or architecture.

This algorithm examines the shape of your object, the selected faces and their relation to one another, and creates a UV map based on this information and settings that you supply.

In the example below, the Smart Mapper mapped all of the faces of a cube to a neat arrangement of three sides on top, three sides on the bottom, for all six sides of the cube to fit squarely, just like the faces of the cube.

../../../_images/modeling_meshes_editing_uv_smart-project.png

Smart UV project on a cube.

For more complex mechanical objects, this operator can quickly and easily create a regular and straightforward UV layout.

Options

The Adjust Last Operation panel allows fine control over how a mesh is unwrapped:

Angle Limit

This controls how faces are grouped: a higher limit will lead to many small groups but less distortion, while a lower limit will create fewer groups at the expense of more distortion.

Margin Method

The method to use when calculating the empty space between islands.

Scaled:

Use scale of existing UVs to multiply margin.

Add:

Simple method, just add the margin.

Fraction:

Precisely specify the fraction of the UV unit square for margin. (Slower than other two methods.)

Rotation Method
Axis-aligned:

Rotated to a minimal rectangle, either vertical or horizontal.

Axis-aligned (Horizontal):

Rotate islands to be aligned horizontally.

Axis-aligned (Vertical):

Rotate islands to be aligned vertically.

Island Margin

This controls how tightly the UV islands are packed together. A higher number will add more space between islands.

Area Weight

Weight projection’s vector by faces with larger areas.

Correct Aspect

Map UVs will take the image’s aspect ratio into consideration. If an image has already been mapped to the Texture Space that is non-square, the projection will take this into account and distort the mapping to appear correctly.

Scale to Bounds

If the UV map is larger than the (0 to 1) range, the entire map will be scaled to fit inside.

Lightmap Pack

Referenz

Editor:

3D Viewport

Modus:

Edit Mode

Menü:

UV ‣ Lightmap Pack

Tastenkürzel:

U

Lightmap Pack takes each of a mesh’s faces, or selected faces, and packs them into the UV bounds. Lightmaps are used primarily in realtime rendering, where lighting information is baked onto texture maps, when it is needed to use as much UV space as possible. It has several options that appear in the Adjust Last Operation panel:

Options

Selection
Selected Faces:

Only unwraps the selected faces.

All Faces:

Unwraps the whole mesh.

Share Texture Space

This is useful if mapping more than one mesh. It attempts to fit all of the objects‘ faces in the UV bounds without overlapping.

New UV Map

If mapping multiple meshes, this option creates a new UV map for each mesh. See UV Maps.

Pack Quality

Pre-packing before the more complex Box packing.

Margin

This controls how tightly the UV islands are packed together. A higher number will add more space between islands.

Follow Active Quads

Referenz

Editor:

3D Viewport

Modus:

Edit Mode

Menü:

UV ‣ Follow Active Quads

Tastenkürzel:

U

Extrapolate UV’s based on the active quad by following continuous face loops, even if the mesh face is irregularly-shaped.

Bemerkung

For a clean 90-degree unwrap it’s typically best to first make sure the quad a rectangle in UV space.

Otherwise any distortion in the active UV is extended which doesn’t result in a useful grid-layout.

Bemerkung

The resulting unwrap is not clamped within the UV bounds, you may wish to scale down the active quad’s UV’s so the result is in a usable range.

Options

Edge Length Mode

Method to space UV edge loops.

Even:

Space all UVs evenly, where the shape of the quad in the 3D viewport is ignored.

Length:

Each face’s UV’s are calculated based on the edge length.

While this minimizes distortion, adjacent loops may become disconnected.

Length Average:

Average space UVs edge length of each loop.

This has the benefit of minimizing distortion, while keeping UV’s connected.

Cube Projection

Referenz

Editor:

3D Viewport

Modus:

Edit Mode

Menü:

UV ‣ Cube Projection

Tastenkürzel:

U

Cube Projection maps the mesh onto the faces of a cube, which is then unfolded. It projects the mesh onto six separate planes, creating six UV islands. In the UV editor, these will appear overlapped, but can be moved. See Editing UVs.

Options

Cube Size

Set the size of the cube to be projected onto.

Correct Aspect

Map UVs will take the image’s aspect ratio into consideration. If an image has already been mapped to the Texture Space that is non-square, the projection will take this into account and distort the mapping to appear correctly.

Clip to Bounds

Any UVs that lie outside the (0 to 1) range will be clipped to that range by being moved to the UV space border it is closest to.

Scale to Bounds

If the UV map is larger than the (0 to 1) range, the entire map will be scaled to fit inside.

Cylinder Projection

Referenz

Editor:

3D Viewport

Modus:

Edit Mode

Menü:

UV ‣ Cylinder Projection

Tastenkürzel:

U

Normally, to unwrap a cylinder (tube) as if you slit it lengthwise and folded it flat, Blender wants the view to be vertical, with the tube standing „up“. Different views will project the tube onto the UV map differently, skewing the image if used. However, you can set the axis on which the calculation is done manually.

Options

Direction
View on Poles:

Use when viewing from the top (at a pole) by using an axis that is straight down from the view.

View on Equator:

Use if view is looking at the equator, by using a vertical axis.

Align to Object:

Uses the object’s transform to calculate the axis.

Align

How to determine rotation around the pole.

Polar ZX:

Polar 0 is on the X axis.

Polar ZY:

Polar 0 is on the Y axis.

Pole

How to handle faces at the poles.

Pinch:

UVs are pinched at the poles.

Fan:

UVs are fanned at the poles.

Preserve Seams

Separate projections by islands isolated by seams.

Radius

The radius of the cylinder to use.

Correct Aspect

Map UVs will take the image’s aspect ratio into consideration. If an image has already been mapped to a Texture Space that is non-square, the projection will take this into account and distort the mapping to appear correctly.

Clip to Bounds

Any UVs that lie outside the (0 to 1) range will be clipped to that range by being moved to the UV space border it is closest to.

Scale to Bounds

If the UV map is larger than the (0 to 1) range, the entire map will be scaled to fit inside.

Sphere Projection

Referenz

Editor:

3D Viewport

Modus:

Edit Mode

Menü:

UV ‣ Sphere Projection

Tastenkürzel:

U

Spherical mapping is similar to cylinder but the difference is that a cylindrical mapping projects the UVs on a plane toward the cylinder shape, while a spherical map takes into account the sphere’s curvature, and each latitude line becomes evenly spaced. Sphere Projection is useful for spherical shapes, like eyes, planets, etc.

Recall the opening cartographer’s approaching to mapping the world? Well, you can achieve the same here when unwrapping a sphere from different points of view. Normally, to unwrap a sphere, view the sphere with the poles at the top and bottom. After unwrapping, Blender will give you an equirectangular projection; the point at the equator facing you will be in the middle of the image. A polar view will give a very different but common projection map. Using an equirectangular projection map of the earth as the UV image will give a good planet mapping onto the sphere.

../../../_images/modeling_meshes_editing_uv_sphere-projection.png

Using an equirectangular image with a Sphere Projection.

Options

Direction

Direction of the sphere.

View on Poles:

Use when viewing from the top (at a pole) by using an axis that is straight down from the view.

View on Equator:

Use if view is looking at the equator, by using a vertical axis.

Align to Object:

Uses the object’s transform to calculate the axis.

Align

Select which axis is up.

Polar ZX:

Polar 0 is on the X axis.

Polar ZY:

Polar 0 is on the Y axis.

Pole

How to handle faces at the poles.

Pinch:

UVs are pinched at the poles.

Fan:

UVs are fanned at the poles.

Preserve Seams

Separate projections by islands isolated by seams.

Correct Aspect

Map UVs will take the image’s aspect ratio into consideration. If an image has already been mapped to a Texture Space that is non-square, the projection will take this into account and distort the mapping to appear correctly.

Clip to Bounds

Any UVs that lie outside the (0 to 1) range will be clipped to that range by being moved to the UV space border it is closest to.

Scale to Bounds

If the UV map is larger than the (0 to 1) range, the entire map will be scaled to fit inside.

Project from View

Referenz

Editor:

3D Viewport

Modus:

Edit Mode

Menü:

UV ‣ Project from View

Tastenkürzel:

U

Project from View takes the current view in the 3D Viewport and flattens the mesh as it appears. Use this option if you are using a picture of a real object as a UV Texture for an object that you have modeled. You will get stretching in areas where the model recedes away from you.

Options

Orthographic

Apply an orthographic projection.

Camera Bounds

Map UVs to the camera region taking resolution and aspect into account

Correct Aspect

Map UVs will take the image’s aspect ratio into consideration. If an image has already been mapped to a Texture Space that is non-square, the projection will take this into account and distort the mapping to appear correctly.

Clip to Bounds

Any UVs that lie outside the (0 to 1) range will be clipped to that range by being moved to the UV space border it is closest to.

Scale to Bounds

If the UV map is larger than the (0 to 1) range, the entire map will be scaled to fit inside.

Project from View (Bounds)

Referenz

Editor:

3D Viewport

Modus:

Edit Mode

Menü:

UV ‣ Project from View (Bounds)

Tastenkürzel:

U

The same as Project from View, but with Scale to Bounds activated by default.

Reset

Referenz

Editor:

3D Viewport and UV Editor

Modus:

Edit Mode

Menü:

UV ‣ Reset

Tastenkürzel:

U

Reset UVs maps each face to fill the UV grid, giving each face the same mapping.

If you want to use an image that is tileable, the surface will be covered in a smooth repetition of that image, with the image skewed to fit the shape of each individual face. Use this unwrapping option to reset the map and undo any unwrapping (go back to the start).