Editing

Delete Channels

Reference

Menu:

Channel ‣ Delete Channels

Atalho:

X

Deletes the whole channel from the current action (i.e. unlink the underlying F-Curve data-block from this action data-block).

Aviso

O atalho X é dependente de área. Caso você o utilize na parte esquerda da lista, ele irá apagar os canais selecionados, e caso você o utilize na área principal, ele irá apagar os quadros-chave selecionados.

Un/Group Channels

Reference

Menu:

Channel ‣ Un/Group Channels

Atalho:

Ctrl-Alt-G, Ctrl-G

Un/Groups the selected channels into a collection that can be renamed by double clicking on the group name. For example, this helps to group channels that relate a part of an armature to keep the editor more organized.

Toggle/Enable/Disable Channel Settings

Reference

Menu:

Channel ‣ Toggle/Enable/Disable Channel Settings

Atalho:

Shift-W, Shift-Ctrl-W, Alt-W

Enable/disable a channel’s setting (selected in the menu that pops up).

Protect, Mute

A ser feito.

Toggle Channel Editability

Reference

Menu:

Channel ‣ Toggle Channel Editability

Atalho:

Atalho: Tab

Bloqueia ou desbloqueia um canal para edição.

Extrapolation Mode

Reference

Menu:

Channel ‣ Extrapolation Mode

Atalho:

Shift-E

Change the extrapolation between selected keyframes.

Extrapolation defines the behavior of a curve before the first and after the last keyframes.

There are two basic extrapolation modes:

Constante:
../../../_images/editors_graph-editor_fcurves_introduction_extrapolate1.png

Extrapolação constante.

The default one, curves before their first keyframe and after their last one have a constant value (the one of these first and last keyframes).

Linear:
../../../_images/editors_graph-editor_fcurves_introduction_extrapolate2.png

Extrapolação linear.

Curves ends are straight lines (linear), as defined by the slope of their first and last keyframes.

Additional extrapolation methods (e.g. the Cycles modifier) are located in the F-Curve Modifiers.

Add F-Curve Modifier

Reference

Menu:

Channel ‣ Add F-Curve Modifier

Atalho:

Shift-Ctrl-M

Opens a pop-up allowing you to add modifiers to the active F-Curve. Settings for the modifier can be found in the Sidebar ‣ Modifiers tab.

Mostrar ou ocultar

Oculta as curvas selecionadas.

Oculta as curvas selecionadas.

Hide Unselected Shift-H

Show only the selected curve (and hide everything else).

Gerar curvas Alt-C

Show all previous hidden curves.

Expand/Collapse Channels

Reference

Menu:

Channel ‣ Expand/Collapse Channels

Atalho:

NumpadPlus, NumpadMinus

Expande ou recolhe os canais selecionados.

Mover

Reference

Menu:

Channel ‣ Move…

This allows you to move selected channels up/down PageUp, PageDown, or directly to the top/bottom Shift-PageUp, Shift-PageDown.

Reviver as curvas-f desabilitadas

Reference

Menu:

Channel ‣ Revive Disabled F-Curves

Clears «disabled» tag from all F-Curves to get broken F-Curves working again.

Frame Selected Channels

Reference

Menu:

Channel ‣ Frame Selected Channels

Atalho:

Tecl. Num. vírgula

Reset viewable area to show the selected channels. To frame the channel that is under the mouse cursor, use Alt-MMB.

Include Handles

Include handles of keyframes when calculating extents.

Use Preview Range

Ignore frames outside of the preview range.

Keys to Samples

Reference

Menu:

Channel ‣ Keys to Samples

Atalho:

Alt-C

This operator replaces an F-Curve with a set of sampled points at each full frame. It is a destructive process that removes the ability to edit the curve. The main use for this is to reduce the file size with large datasets. Samples are only 1/5th the size per key. The sampled points interpolate linearly on subframes.

Samples to Keys

Reference

Menu:

Channel ‣ Samples to Keys

This operator replaces a sampled F-Curve with keyframes, adding the ability to edit it. It will not recreate the curve as it was before, instead it will place 1 key at every frame.

Sound to Samples

Reference

Menu:

Channel ‣ Sound to Samples

The Sound to Samples operator takes a sound file and uses its sound wave to create the animation data. By default this data will not be editable, use Samples to Keys to get editable keyframes.

Lowest Frequency

Frequência de corte de um filtro passa-alta que é aplicada aos dados de áudio.

Highest Frequency

Frequência de corte de um filtro passa-baixa que é aplicada aos dados de áudio.

Attack Time

Valor para calculação da curva do casco que diz quão rápido a curva do casco pode levantar. Quanto mais baixo o valor, mais íngreme ela irá subir.

Release Time

Valor para a calculação da curva do casco que mostra quão rápido a curva do casco pode cair. Quanto mais baixo o valor, mais difícil ele pode cair.

Ajuste

Valor de amplitude mínima necessária para influenciar a curva do casco.

Acumular

Somente as diferenças positivas de amplitude da curva do casco são sumarizadas para produzir a saída.

Aditivo

As amplitudes da curva convexa são sumarizadas (ou, quando «Acumular» está habilitado, ambas as diferenças positivas e negativas são acumuladas).

Square

Gives the output as a square curve. Negative values always result in -1, and positive ones in 1.

Ajuste de quadrado

All values lower than this threshold result in 0.

Bake Channels

Reference

Menu:

Channel ‣ Bake Channels

The Bake Channels operator creates new keyframes on the F-Curves of channels that are selected in the channel box.

Range

The range that will be baked. Defaults to the scene range or preview range.

Passos

Distance between keyframes. Can be used to bake on 2s or even bake to subframes.

Remove Existing Keys

Boolean option that if enabled also removes keys outside the specified baking range.

Tipo de interpolação

Choose which interpolation type new keys should have, e.g. Constant or Bezier.

Bake Modifiers

If true bakes the effect of the modifier stack to keys and deletes the modifier stack. If false, modifiers get disabled before baking, so the resulting keys will behave as if the modifiers didn’t exist.

Discontinuity (Euler) Filter

Reference

Menu:

Channel ‣ Discontinuity (Euler) Filter

This operator cleans up Euler rotation channels that suffer from Gimbal Lock. The channels of all three axes of euler rotation need to be selected for the operator to work.